On August 18th, I
conducted a lesson with my beginning acting class that I’d prepared and planned
out with more care and attention to detail than I’d ever done before. I was
excited, but also nervous; when my by-the-seat-of-my-pants lessons failed, I
always had the excuse of, “well, I just sorta threw it together,” or “yeah, but
it wasn’t a real lesson plan.” This
time was different—I was implementing something I’d carefully constructed. I
was terrified.
The Lesson.
Here is a condensed overview of
the lesson I implemented with my class, using Act 5, Scene 1 from Hamlet (click
HERE for the text).
Actioned Reading
Students will take out homework from Day Four
(Completed “French Scene”); in triads, students will compare their beat changes
and titles for each section of text. Triad will democratically select most
effective/memorable titles for each section of text and write section headings
on the board. As a class, vote on favorite titles to create one master
“outline” of events.
Students will embody and enact the story of the text
using only the heading titles to guide them; students will NOT use scripts but
will use section headings and beat changes to shift tone and drive plot
appropriately. Groups will share in an open rehearsal.
In discussion: What did you observe in your
classmates’ scenes? Was this an effective technique for understanding the story
or “reading” the text? Why or Why not? Was this an effective technique for
rehearsal? Why or why not?
What I’ve Learned.
My students responded to this
in an overwhelmingly positive way. A few days prior, very few of them were
enthusiastic about Shakespeare, and now I feel like the majority of them have
an increased level of confidence. At the very least, they know Shakespeare can
be funny!
My students are very capable.
They don’t need me to lecture, or lead, or hover over them while they do work.
They need me to empower them, give them skills, and give them space and time to
be creative and autonomous.
Assessment is a constant tool
in my classroom, and if it’s constant, it’s not scary. By asking students to
produce answers, to come up with ideas, with original content, they aren’t as
afraid of evaluation—because they can see and understand where that evaluation,
where that grade, comes into play. And I think it’s really important that we
liberate students from grade-based fear, and that we encourage them to know how
to self-evaluate, so that they can set goals and accomplish them.
What I’d Change.
Overall, I’m very happy with
this lesson—though I benefitted from having a class with very few struggling
learners. My EL students are very fluent, my IEP students need extra time for
testing but did fine with this assignment.
I suppose throwing Shakespeare
at beginning acting students is pretty daring, but they really did rise to it.
Next time, though, I think I would use a less loaded text—maybe Our Town by
Thornton Wilder, or some other piece from modern American theatre.
And I suppose I could then ask
the students to continue their engagement with the text by actually staging it
and memorizing a scene, whereas I didn’t dare do that with Shakespeare.
What I Enjoyed.
I loved many things about this
lesson. Some of the tiny things I enjoyed:
- The quirky and funny titles that students came up with for the scene. “Giddy Gravedigger” and “Glum Gravedigger” are examples of some of the witty expressions that students invented. These memorable titles show that the students are not only grasping the text, they’re also having fun!
- The amount of laughter generated—both by the titles, but also by the attempts of students to act out the scene, making up their own words (since they had little hope of recalling Shakespeare!)
- All the tiny “aha!” moments popping up all over the classroom
- How little lecturing I had to do—the discussion was mostly student-led
Overall, I’ve realized
how much careful and thoughtful planning gives to me and to my students.
Specifically, the regular and recursive act of pre-assessment and
post-assessment/closure helps me ascertain how my students are doing, and
allows me to really pinpoint the struggles of certain kids. But in a general
sense, executing a thoughtful lesson plan—even if it didn’t work
perfectly!—allows me a physical and material reflection of what I do as a teacher. And now I can dip back
into that lesson plan, edit it, reinforce it, make it stronger and richer.
I feel less stressed,
more engaged, and more confident.
I’m excited about all
the lesson plans I get to make. I wonder if by the time I retire, I’ll have enough
to release a theatre arts textbook.
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